Man on Land (2006)

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In a remote spot in Northern Greenland, water and sky blend into one great indistinguishable whole. Into this isolated place comes the base drone of a ship's engine. Scientists dressed in bright yellow Gore-tex, like alien visitors from another planet, make land and begin a series of information gathering exercises. The men measure eggs, gather samples of birds' feathers,  and sometimes simply sit and stare off into space. Their presence, however fleeting and odd, is merely an isolated incident and when they disappear over a distant horizon, it's as if they were never there at all.

Visit the web site: http://arianemichel.monsite.wanadoo.fr/
There are many different types of time in director Ariane Michel's austerely elegant docu-essay. There is time measured in the geological layers of rock and ice, the movement of the seasons, the arc of the sun across the sky, even the whine of mosquitoes. Using a static camera, Michel's film is formally executed, with a profound level of attention to the quality of sound (the buffeting roar of the wind is almost constant throughout) and the framed images of rocks and flowers, ice and water. Musk ox, polar bears, seals and walruses simply do what they do, magnificently indifferent to the bumbling yellow figures in their midst. In this silence, a human voice (in the form of a distant radio transmission) comes almost as a shock. A humbling immersion in a world in which humans are simply fleeting things, Man on Land is an utterly remarkable achievement. Winner of the Grand Prize, Documentary Festival of Marseilles. - 2007 Vancouver International Film Festival


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This page contains a single entry by R. Turgano published on November 26, 2007 5:14 PM.

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